Sat. Mar 19, 2005
The Curse of the Freebird
It’s a musical phenomenon, one that was going strong when I left the radio business two decades ago, and that continues today across the musical spectrum:
“I don’t know that I’ve ever seen a show where it hasn’t happened,” says Bill Davis of the veteran country-punk band Dash Rip Rock.
“It’s just the most astonishing phenomenon,” says Mike Doughty, the former front man of the “deep slacker jazz” band Soul Coughing…
It’s as uniquely American as Elvis and apple pie. Where ever people gather to watch music be performed, the odds are extremely high that at some point, someone will stand and yell … “Play Freebird!”
But it has to be done properly (not that I’ve ever done this, nope). It helps if you know one or more of the people on stage (nope, never done it…), but that’s not required. Just wait until one of the mellower songs in the set has finished, and in that second or two of silence between the applause and the setup for the next song, from the bottom of your lungs, shout (with a slur if you can manage it) “Play Freebird, man!” (adding “man” at the end shows you’re not some drunken amateur, you’re a pro).
And what will happen?
Bands mostly just ignore the taunt. But one common retort is: “I’ve got your ‘free bird’ right here.” That’s accompanied by a middle finger. It’s a strategy Dash Rip Rock’s former bassist Ned Hickel used. According to fans’ accounts of shows, so have Jewel and Hot Tuna’s Jack Casady. Jewel declines to comment. Mr. Casady says that’s “usually not my response to those kind of things.”
Others have offered more than the bird. On a recent live album, Modest Mouse’s Isaac Brock declares that “if this were the Make-a-Wish Foundation, and you were going to die in 20 minutes — just long enough to play ‘Freebird’ — we still wouldn’t play it.” Dash Rip Rock often plays “Stairway to Freebird,” a mash-up of the Skynyrd epic and Led Zeppelin’s “Stairway to Heaven” that Mr. Davis boasts lasts “less than two minutes. ... You’re finished before people get mad.”
Well, that “Freebird / middle finger” thing goes way back, too. I think it was first used on me about 1981, by a member of Doc Holliday in Warner Robins, after I’d laid a near perfect “Play Freebird” between songs in their set. I tell you all of this because I consider myself a bit of an authority on this most important topic’s history. But let’s see what the Wall Street Journal came up with for origins.
Kevin Matthews is a Chicago radio personality who has exhorted his fans — the KevHeads — to yell “Freebird” for years, and claims to have originated the tradition in the late 1980s…
But did “Freebird” truly start with the KevHeads? Longtime Chicago Tribune music writer Greg Kot says he remembers the cry from the early 1980s. He suggests it originated as an in-joke among indie-rock fans “having their sneer at mainstream classic rock.”
Other music veterans think it dates back to 1970s audiences’ shouts for it and other guitar sagas, such as “Whipping Post,” by the Allman Brothers Band, and “Smoke on the Water,” by Deep Purple.
Indeed, in some areas in the mid to late 70’s, “Freebird” was “out-shouted” by calls for “Whip-pin’ POST!” The true source of it all was just partyin’ people callin’ for more jam, man. Back when the jam was still fresh. But, it done got old.
I started working part time in radio while I was in high school. The year after “Freebird” came out in 1973. By 1978, I was working at a rock station just outside Macon, Georgia … the home of Southern Rock. I started out there working the graveyard shift (12-6am) and then the night shift.
Every night … every single night … you’d get some variant on this call: “Hey, man, um, me an’ some buds o’ mine are partyin’ down over here, man [odd hooting sounds in background]. An’ it’d shore be a lot better if you’d play Freebird for us, man.” And you’d give ‘em the ol’ “sure, I’ll see if that can get that on for ya, man [click]”
15 minutes later or one beer later, they’d call back … “Hey, um, when are you gonna play Freebird, man?” Repeat until they get too drunk to dial anymore.
Every single night … for the eight years I was in the business. On Friday and Saturday night, you’d get a half dozen requests per hour for it. You could play it at the top of each and every hour, and by 15 minutes after, people would call to say “Play Freebird, man!”
Since I was constantly afflicted with it, I would therefore inflict it on others (like with Doc Holliday above). I was once passing through Macon, and heard my ex-wife doing her airshift. So I called in to push her buttons (and, trust me, I do a good “Freebird voice”) ... “Hey, darlin’, would you play Freebird fo’ me … sweetie?” I got a vocal tone in response that I was quite familiar with (the “cold day in hell” tone) as she replied “sure, I’ll see if that can get that on for ya … buddy [click]” and hung up on me. Ah, those were the days.
To this day, when I hear the opening organ note to that song, I frighten any cats and children nearby as I knock over all the furniture trying to get to the electronic device emitting the sound and shut it off. It is one of the deeper psychic scars I’ve accumulated in this lifetime.
And I’m not alone:
For his part, Mr. Doughty suggests that musicians make a pact: Whenever anyone calls for “Freebird,” play it in its entirety—and if someone calls for it again, play it again.
“That would put a stop to ‘Freebird,’ I think,” he says. “It would be a bad couple of years, but it might be worth it.”
Now there’s a man dedicated to his mission. No pain, no gain. You’ve got my support, Brother. But excuse me if I don’t go to many shows over the next couple of years…
Finally, perhaps the best story in the article, and it’s about “Johnny Van Zant, Ronnie’s brother and the [Lynyrd Skynyrd] singer since 1987 [...] His wife persuaded him to see Cher in Jacksonville a couple of years ago, and he couldn’t resist yelling ‘Freebird!’ himself. ‘My wife is going, ‘Stop! Stop!’ ’ he recalls, laughing. ‘I embarrassed the hell out of her.’”
And thus, as the lead singer of Lynyrd Skynyrd heckles Cher, surely the Freebird Circle must be complete.
Published 02:14AM, Sat, Mar 19 2005
Category: Radio Music
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Peanut Gallery
One of the benefits of living up north for much of the seventies was that you didn’t hear a lotta freeberd. When I moved to Atlanta in ‘77, I made up for lost listening time, though. Or maybe Freeberd came out after ‘77?
As a fan/listener, I’ll admit to heckling my share of live bands. In Ithaca, a Cortland group called Ronnie Dio and the Prophets used to play covers at a local club. My friends and I would sit on the floor in front of the speakers (“huh, whatdidyousay?”) and pester them to “Play Strange Brew, man!!” Then in Cambridge it was a little folk duo called Ocasek and Orr
that I used to bug to play Velvet Underground songs (“man”). I guess part of being a fan is being an Asshole. Seventies FM radio couldn’t be beat though. In Ithaca we had a friend who was a dj at the Cornell station. He used to routinely spin records on LSD. One Saturday night “Inagodadavita” (sp?) was playing over and over and we thought we heard screaming in the background over the radio. When we got to the station our buddy was hiding under the console suffering from a giant insect attack. We finally calmed him down with several quarts of orange juice and a few barbituates.
When I was living with my family, shortly before I moved out here to California, I was sitting in the back bedroom playing my piano by myself, just minding my own business with some slow tender little melody… and no sooner do I stop than my sister walks by and – yep – calls out, “Freebird”!
In my own bedroom.
One day when I go back and I hear her playing some song she loves, I think I’ll tell her, “Good tune, but it needs more cowbell.”
Generational note: for some time in High School (Macon, 87-91), I thought the “Play Freebird” bit was something that one of my friends had made up. I also thought the “no charge” response that it elicited was remarkably clever for somebody reacting to it the first time.
Of course, I also thought, in third grade, that the F-word had just been invented. Imagine my surprise when it popped up in much older movies.
I even had calls for me to play Freebird when doing my shows in the Falkland Islands! My replies were direct and often I would play something bizarre in the extreme and dedicate it to the luckless caller.
The musicians could up the ante, and instead play that vomitous remake of “Baby, I Love Your Way” from a few years back that had part of “Freebird” in the middle.
Thanks to all for their personal Freebird stories. It’s obviously a vastly under-reported phenomenon that spans generations, as well as talent levels (from the “Wingman Day” band to Cher … wait, that’s not much of a talent spectrum). All of them were good for a laugh. But this is just too too funny. One man’s involvement with Freebird, as a literate moral tale. Complete with a happy ending. You must read it all
“He had not been out to see a live show in more than a month and was anxious. For Adam Coil was no ordinary spectator. He had carved out a quasi-participatory role back in the late seventies and concerts were the only outlet for his singular behavior.”
I first saw Lynyrd Skynyrd at a battle of the bands kind of thing at the Mableton West Theater. Admission was 50 cents. The last time I saw them they opened for The Who in what was the Omni. Once upon a time I lived for concerts, going to several a month. During the 90’s I only went to about one a month. I think the last concert I went to was CSN&Y at Phillips a few years ago. The only time I know I heard some lame dude yell Freebird was a Skynyrd concert. I really cannot remember hearing it anywhere else. While my attendance is off in recent years, I have been to hundreds of concerts all over the country since the mid 60’s. Maybe it’s just me. I do have a decent twit filter and a reasonable ability to not let dudes interfere with my groove when the music is good.
Great bit, Reid. It brought back some memories of radio days, when I was the contract engineer for a 3000 Watt Class B FM station in Pulaski, TN owned by some friends of mine, in the late ‘70’s.
I’d typically drive down on Saturday, review the logs, sign them off, make any transmitter adjustments, repairs, or whatever needed doing, have dinner with my friends, and stay the night. Then drive back to Nashville on Sunday.
The station had a “rotating” format, playing 2 country songs to every rock song through the day, and changing to two rock songs to every country song in the evenings. Our DJ’s were mostly local kids, looking to build some air time before making the move to larger markets, or finding real jobs. But the Sunday morning shift was tough to fill, and a lot of times, I wound up covering it, so my friends could make it to church. Doing that, I often got calls from some poor SOB with what was probably the beginnings of a killer hangover from a hard Saturday night, whispering/whimpering “Please man, play Freebird.”
And I would, Sunday morning, for the beer joint heroes, coming down…



The Freebird phenomenon extends to everything, no matter the popularity of the band or the size of the venue. Our base had some goofy “Wingman Day” (I won’t go into the myriad Top Gun riffs that launched) and there was a band of airmen playing safe, generic, non-offensive cover songs in a hangar as the rest of us milled around and pretended to look interested in the booths and displays.
Sure enough, someone in the hangar shouted, “Play Freebird, man!” right between songs. There were some hoots and hollers and about half the hangar started clapping.