Fri. Nov 22, 2002
Radio Deregulation No Hit for Listeners
Radio Deregulation No Hit for Listeners – There’s been a study done to tell you what you probably already know; radio has become a homogenized mediocre muddle, largely due to government deregulation. Not once, but twice. “Six years after a landmark deregulation law lifted ownership limits on radio stations, airwaves in many cities are dominated by a few media behemoths that offer little in the way of variety or local content, the Future of Music Coalition found.”
“While deregulation has allowed companies like Clear Channel Communications Inc. to buy up struggling radio stations across the country, the new owners have often pursued profitability by slashing costs, rather than seeking to lure listeners with unique content [...] ’Much of radio on a local level has become bland and formulaic and not locally programmed,’ research director Kristin Thomson said.”
And what was the professional and intelligent response from the radio industry? “ ’This report has as much credibility as Miss Cleo,’ said NAB [National Association of Broadcasters] spokesman Dennis Wharton, referring to the television psychic who settled federal fraud charges last week. The report comes as large radio owners are coming under scrutiny from lawmakers on Capitol Hill, while at the same time the Federal Communications Commission considers whether to relax regulations on media ownership further.”
Yes, they’re thinking about deregulating even further. But we’re already two steps down the line from when I left the business in 1985. At that time, one individual or corporation could only own 7 radio stations and two TV stations (I think there was a limitation on the number of cable systems you could own as well). In one market, you could at most own one AM, one FM, and one TV station. Sometime after I left the business in 1985, they took the first step of deregulation, upping the limit from seven stations to forty.
“While federal law formerly forbade broadcasters to own more than 40 stations nationwide, 10 companies now claim 65 percent of the listening public. Two of these, Clear Channel and Viacom Inc.’s Infinity Broadcasting, account for 42 percent of listeners and a similar percentage of industry revenues. In smaller markets, these two firms and two others—often control all the stations on the dial, the report found. Such consolidation could subvert market forces as a few companies set advertising rates and determine what songs become hits, the coalition said.”
For decades, most markets had one ”powerhouse” conglomerate, like WSB-AM-FM-TV in Atlanta. That 50,000 watt AM, 100,000 watt FM, and TV combo gave them considerable weight in crosspromoting and collective budgets, and most such setups would dominate their market. In the market where I programmed a station, Macon, Ga., we had WMAZ-AM-FM-TV (call letters since changed). They ruled the roost by that sheer weight, as their 100,000 FM was at that time a fully automated Top 40 station, programmed out of state, ultra conservative, and generally a couple of weeks behind the curve.
Of course, various competitors tried to knock them off their pedestal. One contestant came in with a live staff and a huge promotional budget. But even though they were live, they could just as easily have broadcast the same format in Idaho. It was sterile. In the end, they became known as the station with more billboards than listeners.
We were a 3,000 watt FM on a 300 foot tower with a promotional budget barely big enough to keep us in t-shirts and bumper stickers. But we were live, local, and aggressive. We counterprogrammed the Behemoth, occupying a wide but moderate swath of rock music they left abandoned, as well as incorporating the fact Macon, Ga. is the birthplace of ”Southern Rock,” and still had some local bands worthy of airplay and support. Within that framework, we filled every niche they didn’t. Even if we played a song that they did, we’d tried and play an alternate version of it … album version rather than edited 45, or a remix.
We never beat them in the overall numbers, but consistently came damn close in the 18-34’s, our target. When I ”retired,” my successor took the station in an even ”harder” direction, and within a couple of years, they’d bailed and gone country. Meanwhile, another low power FM outlet had picked up the mainstream rock baton, and carried it to success. The market and the rules that regulated it at that time had already created a dominant force, but there were still many independent stations to pick at them, outsmart them, and keep them from totally owning the market. Those independent stations not only gave listeners a more varied choice, it did the same for advertisers, who could ”shop rates” and strike deals at various independent stations.
Recently, I discovered that a former employee still works at that last station I mentioned, the one that pretty much took up where I left off. He informed me that my old station was still around, unrecognizable under new call letters and format. He said, ”they’re our sister station.” Both are now owned by Clear Channel.
Instead of one Behemoth and a lot of independents nipping at their heels, providing a varied and evolving radio marketplace, now you have a few Behemoths, stagnating within their well defined turf, while they rake in the dough. You hear the result on your radio today. It didn’t have to be that way.
Government gave in to business, and you lost. They won’t be going back, either. They want even more.
Published 01:22PM, Fri, Nov 22 2002
Category: Radio
Previous: «« S...L...O...W ««
Next: »» Maligned Redesign »»
Peanut Gallery
Sometime after I left the business in 1985, they took the first step of deregulation, upping the limit from seven stations to forty. People who read too much into things (like yours truly) could make the claim that you were implying that the government was waiting until you were gone, and then--WHAMO!--deregulation. That après vous, le déluge. (Yeah, I know, it's not what you meant. Just how I read it the first time through, that's all.) Spin Magazine, a while back, did a feature on WOXY in Cincinnati, which (last I head) family owned and has a really interesting playlist. It nicely bridges the gap between mainstream and alternative, (but not the alternative that became mainstream; still with me?). I can (I think) claim that I don't listen to the Behemoth radio stations anymore. I listen mostly to the one college station I get (barely) and the new 'urban' station, but since they also play the same songs every hour, I'll get tired of it soon. It's more the novelty that Vancouver has an 'urban' station than anything.
“They don't let DJ's pick the music anymore! A lot of stations don't even stock CD's if you can believe it, the setlist is on computer! Its MADNESS!” DJ's haven't had the freedom to completely pick their music for about 25 years. Even back in my days in radio (pre-computers, even pre-CD's), our format was a clock and card file system that allowed the DJ to choose from a few songs in each category on the clock. As for whether they don't stock CD's anymore, just because the "setlist" is on computer doesn't mean the music is. Computers have been determing the song-by-song playlist at many stations for a decade or so. But I'd bet most of them are still played off CD's, with the exception of the stations using satellite feeds or ancient tape systems. Richard: “...the government was waiting until you were gone, and then--WHAMO!--deregulation.” Then I thank them for waiting until I was gone. As it was, I only had one station owner in the years I worked in Macon ... but I had nine general managers in five years. If that turnover had extended to owners, my career in radio might have been even shorter. WOXY's playlist is rather unique ... not many stations play Pearl Jam and Johnny Cash. I'm glad there's still a few independents out there, but I fear their days are numbered.
I only use three of the buttons on my car radio: one each for the classical and jazz versions of the local PBS affiliate, run out of the university, and the third for Tucson's very popular and well-supported community station, KXCI, which has something for everyone, including live broadcasts each year from the local folk and blues festivals, a fierce commitment to local artists, and even some homegrown public affairs programming. I'm not even sure about call letters on any other stations in town, much less their corporate pedigree and homogenized playlists.
I think I saw something recently on Frontline, or a similar investigative show about Clear Channel buying up all the radio stations. It really makes your blood boil, and you're right, it's not coming back. It was nice to read about it from a former insider, at any rate. I haven't had the time lately to stay up to date, but it seems like there is some exciting stuff happening on internet radio. They'll probably all get closed down and "regulated" out of existence in this "deregulated" environment, but it reminds me of what radio used to be back in the seventies and early eighties. I recall vividly walking past the opened doors (to let a breeze in) of the Fillmore East on a hot summer's day long ago when I heard a chillingly familiar guitar rif. I walked in and watched for awhile as a pretty good band went through a sound check. The rif went to "Whippin' Pole" and yep, it was Dwayne. Sent chills up and down my spine. That stuff doesn't happen any more.



They don't let DJ's pick the music anymore! A lot of stations don't even stock CD's if you can believe it, the setlist is on computer! Its MADNESS!